Sunday, August 17, 2014

Abstracting reality part 3: architectural abstracts

Of the recurring topics in my photography, abstract images tend to stand out. This has inspired me to write a series of blog posts on the subject, as seen through my lay-man's eyes (I never received any formal training on photography). In these posts, I will tackle the following six (not mutually exclusive) themes: distorted reflections, architectural abstracts, wear and tear, zooming in, abstracted art, and miscellaneous situations. A general introduction was posted here; the first contribution (on distorted reflections) was posted here.

Architectural abstracts (the second of the themes) are usually based on line play, rather than the sometimes extravagant colours that we encountered in the previous contribution (distorted reflections). As always, there are a few things one should keep in mind when approaching this subject. First, to create abstract images from architectural structures, modern buildings and bridges tend to be far more suitable than older ones, but as always there are exceptions to this rule. Second, perhaps more than for any other theme in this series, perspective is a key parameter and can create an abstract feeling where one would not expect it in the first place - do play around with an unusual point of view, and/or rotations in post-processing. Third, in terms of composition, our old friend the diagonal will often play a paramount role. Fourth, where lines and shapes are dominant, conversion to black and white should always be considered (even if it is not by definition the best choice) - and keep in mind that good black and white photographs usually have a high degree of contrast. Please click here to see 12 selected examples from my Flickr photostream with some background information.