All rights retained by the photographer.

Fake... fake... fake... Nothing is original about this debut album. First off, in spite of the hype and the use of Russian letters for its name, Kirov Plant are NOT from Volgograd - but from Manchester. Secondly, their music is not as the press package suggests "a refreshing new look at progressive metal", but a third class watered down version of this style which has been done infinitely better numerous times. Thirdly, the melodies and riffs are hardly disguised straight copies from the likes of Metallica and Dream Theater. Awful, awful, awful.
A wonderful image, showing people sitting on steps designed to look like piano keyboards in a Beijing shopping mall.
Watching this classic right now at TCM for the umpteenth time. No need to say anything about the movie ( is there anyone who has not seen it?), but I quite like this poster, designed to lead your eye through the frame.
And what a moment it must have been. To quote the photographer, my Flickr friend aftab: "One humpback blows mist. Another dips deeper. A lone gull hovers. I was there in this remote corner of Alaska to watch the drama unfold. It was a privilege. Life has been a privilege. People. Precious moments."
Nazatron is the musical vehicle of Australian artist Genaaron Diamente. Fork in the road, released June 2010, is a very interesting first effort, one of the best independent debut albums I have heard in recent years. Highly melodic alternative pop/rock music, with a thrusting beat. His voice (a bit in the style of the softer side of Steven Wilson, as in Blackfield), though not outstanding, suits the music very well. The album contains nine songs, with a duration between 3 and 6 minutes. My favourite songs are Pay me last (which would not be out of place on a Blackfield album - which coming from me is very high praise indeed), and the almost instrumental You, with its Peter Gabriel like rhythms. Highly recommended to check him out.
It's been done before, and it is actually not that difficult in Photoshop. But it is used to great effect in this advertisement, and I always had a weak spot for this French brand, which is my first name with a Z added.
This morning I came across a fascinating article on the site Hyperallergic, about the environmental aspects of the creations of conceptual artists (con-artists as I like to call them), such as Christo and Jeanne Claude’s 1983 “Surrounded Islands” in Florida, a project that wrapped small islands in skirts of bright fabric. Thought provoking.
One of the all-time classics, this Roger Dean cover for this great Yes album, even better in the flipped open double front/back combination. Further comments are superfluous.
What better way to mark the second anniversary of Art for Art's Sake new style than to post a recent floral favourite from the stream of one of my followers and supplier of many great ideas for my two blogs: my dear Flickr friend jenny downing. My aversion for flower photographs has been termed "legendary" by another Flickr friend, so this is a really special shot. Magnificent colours and bokeh. And pansies happened to be my late grandfather's favourite flowers - incidentally, in Dutch they are called viooltjes (little violins).
Can't believe it has been two years already since I decided to wipe out all existing posts and make a fresh start. And what a fun two years it has been, at least for me. The blogging blues never returned, and an average of about 2 posts per day is easy to maintain. Image sourced from here.
During our holiday, my wife used her new iPad to keep in touch with the (virtual) world, but also used this new device for some digital creations (with the Art Studio program she downloaded). At my request, she allowed me to post one.
When we say "Art Deco" and paintings in one sentence, it is not easy to look beyond the luscious works of Tamara de Lempicka. Italian American artist Joseph Stella (1877-1946) deserves attention as well, especially his numerous paintings on the Brooklyn Bridge, a totally different side of Art Deco - even though most articles list him under Modernism or Futurism. Whatever the label, his art is great. The above interpretation of the subject dates from 1941, one of his latest works. More on Stella in the wikipedia article linked to below.